
When they found a salty place in the ground theycame there to lick it, and that was called a deer-lick. Pa had made oneby sprinkling salt over the ground. But Pa was in the house whenit rained, and he began again to play the fiddle after supper.
Serene house near golf with furnished deck, firepit, board games & washer/dryer
Many times she tooka little of it out into a saucer, and stirred it round and round. Thenshe shook her head and poured the syrup back into the kettle. She and the other Laura, and all the other children, scooped up cleansnow with their plates. They all hurried to thekitchen for plates, and outdoors to fill the plates with snow. TheKitchen door was open and the cold air came in. Her hands were on her hips and her chin was upand she was smiling.
The story behind the stories: Laura Ingalls Wilder's life in Minnesota and beyond - MinnPost
The story behind the stories: Laura Ingalls Wilder's life in Minnesota and beyond.
Posted: Tue, 19 Aug 2014 07:00:00 GMT [source]
Little House in the Big Woods (Little House Series: Classic Stories #
Mary was so frightened that she could not move.But as Pa came nearer Laura screamed, and with a wild leap and ascramble she went over the woodbox, dragging Mary with her. Sometimes, when Pa had walked his trap-lines quickly because the trapswere empty, or when he had got some game sooner than usual, he wouldcome home early. Then he would have time to play with Laura and Mary. But the best time of all was at night, when Pa came home. On theloose bottom of the wooden butter-mold was carved the picture of astrawberry with two strawberry leaves. At first the splashes of cream showed thick and smooth around the littlehole.

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The snow was damp and smooth in the road, so the sled slipped quicklyover it, and the big trees seemed to be hurrying by on either side. Monday morning everybody got up early, in a hurry to get started toGrandpa's. Pa wanted to be there to help with the work of gathering andboiling the sap. Ma would help Grandma and the aunts make good things toeat for all the people who were coming to the dance. "Now you girls run along to bed! You'll know all about the dance whenyou see it. I have to put a new string on my fiddle." Ma had already lighted thelamp when he came in.
Her cheekswere pink from laughing, and she was shaking her head. When Mary and Laura pressed their noses against the cold window panethey could see the drip of water from the eaves and the bare branches ofthe trees. The snow did not glitter; it looked soft and tired.

Laura and Mary were allowed to take Ma's thimble and made prettypatterns of circles in the frost on the glass. But they never spoiledthe pictures that Jack Frost had made in the night. "But I see," he said, "that either one of you has more sense than theman who cut the two cat-holes in his door." There were small traps and middle sized traps and great bear traps withteeth in their jaws that Pa said would break a man's leg if they shut onto it. They ate every little bit of meat off the bones, and then they gave thebones to Jack. It was nicely browned all over, and how good itsmelled!
Pafed the horses, on the bottom of the wagon box, some oats he had broughtfor their dinner. The pieces of candy were exactly the same size. Laura could have looked for weeks and not seen all the things that werein that store. She had not known there were so many things in the world. Then one night Pa said, "We'll go to town tomorrow."
The Story of Grandpa's Sled and the Pig.
But once little Laura appears,everything is viewed through her eyes and understood through her consciousness.The point of view is consistent and believable. Little House in the Big Woods was published in 1932 by American author Laura Ingalls Wilder. The first in a nine-book series, the autobiographical narrative relates the story of a family of homesteading pioneers living and laboring in Wisconsin. The story is illustrated by Garth Williams, whose drawings of the Ingalls family are often considered iconic and an integral part of the reading experience. "The moon had risen higher and the moonlight was bright in the littleopen place. All around it the shadows were dark among the trees. As soon as they woke in the morning they ran to the window, but therewas no deer hanging in the trees.
GOING TO TOWN.
Ma sat in her rocking chair, sewing by the light of the lamp on thetable. There was salt in the bottom ofits glass bowl with the kerosene, to keep the kerosene from exploding,and there were bits of red flannel among the salt to make it pretty. Pa would run his fingers throughhis thick, brown hair, standing it all up on end. Then he dropped on allfours and, growling, he chased Laura and Mary all around the room,trying to get them cornered where they couldn't get away.
His eyes were swollenshut and his nose was a funny shape. Ma and Aunt Polly covered his wholeface with mud and tied the mud on with cloths. Pa and Uncle Henry took him by the arms and ran him away from the yellowjackets' nest. They undressed him, and his clothes were full of yellowjackets and their stings were swelling up all over him.
Pa often tells stories about animals andsometimes about the dangers out in the Big Woods. Full of detail, they move toa climax and then end quickly. The same narrative pattern is used to tell thestory of the Ingallses' year in the Big Woods. Instead of building to a singlecrisis, the novel is episodic. Any little crises are soon resolved, but theylast long enough to lend a touch of drama. As the title suggests, setting is extremely important in this novel; thecabin, the woods, the wild animals, and the isolation are all presented beforethe characters are introduced.
So Grandma bowed to them all and did a fewsteps by herself. Theclapping almost drowned the music of Pa's fiddle. Then Aunt Ruby and Aunt Docia put on their flannel petticoats and theirplain petticoats and their stiff, starched white petticoats with knittedlace all around the flounces. "Pull, Ruby, pull!" Aunt Docia said, breathless. "Pull harder," so AuntRuby braced her feet and pulled harder.
So they all got into the big bobsled, cosy and warm, and Pa tucked thelast robe well in around them. But Alice and Ella and Maryand Laura ate theirs slowly in little bits, first the arms and legs andthen the middle, saving the head for the last. They all admired Ma's beautiful bracket, and Aunt Eliza said that UnclePeter had made one for her—of course, with different carving.
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